A parody of Silent Night by popular demand. As long as he keeps mouthing off Parody Project will keep making fun of him.
Written and Performed by Don Caron
Executive Producers Sally Headley and Jerry Pender
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Lyrics to Sigh in the Night
Sigh in the night over orange blight,
wiped away with voting right.
Unbelievable attempted coup
which no real president would ever do.
Gone for good and good forgone
We’ve been awaiting the dawn.
Tweets in the night thought process trite
Now that’s gone as is right
Twitter planning to block his account
Which to silence him is paramount
Sounds of tweeting his own horn
no more will puncture the morn
Sigh in the night so recondite
All is calm, end in sight
Sound of burgeoning hope reconciled
Tweeting infant is all but exiled
Weep with joy and relief
Sweep up the orange peels, good grief.
BACKGROUND OF SILENT NIGHT
“Silent Night” (German: “Stille Nacht, heilige Nacht”) is a popular Christmas carol, composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr in the small town of Oberndorf bei Salzburg, Austria. It was declared an intangible cultural heritage by UNESCO in 2011. The song has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1942 is the fourth best-selling single of all-time.
“Stille Nacht” was first performed on Christmas Eve 1818 at St Nicholas parish church in Oberndorf, a village in the Austrian Empire on the Salzach river in present-day Austria. A young priest, Father Joseph Mohr, had come to Oberndorf the year before. In the aftermath of the Napoleonic Wars, he had written the poem “Stille Nacht” in 1816 at Mariapfarr, the hometown of his father in the Salzburg Lungau region, where Joseph had worked as an assistant priest.
The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf [de], now part of Lamprechtshausen. On Christmas Eve 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night’s mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and replaced with the Silent-Night-Chapel. It is unknown what inspired Mohr to write the lyrics, or what prompted him to create a new carol.
According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Obendorf church, was enamoured with the song, and took the composition home with him to the Zillertal. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia, as well as making the first performance of the song in the U.S., in New York City in 1839. By the 1840s the song was well known in Lower Saxony and was reported to be a favourite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly played today.
Over the years, because the original manuscript had been lost, Mohr’s name was forgotten and although Gruber was known to be the composer, many people assumed the melody was composed by a famous composer, and it was variously attributed to Haydn, Mozart, or Beethoven. However, a manuscript was discovered in 1995 in Mohr’s handwriting and dated by researchers as c. 1820. It states that Mohr wrote the words in 1816 when he was assigned to a pilgrim church in Mariapfarr, Austria, and shows that the music was composed by Gruber in 1818. This is the earliest manuscript that exists and the only one in Mohr’s handwriting.